Current
un puñal en un pañuelo
luis renteria
This exhibition explores how art, magic, and memory can function as shields against systemic precarity and uncertainty. Luis Renteria draws on elements of fiction and pre-Hispanic legacy to develop an artistic language forged between Mexico and Spain. Through personal stories and everyday rituals, the artist uses textile to weave diverse histories of art and resistance, gesturing toward the enduring wounds of the past. His woven sculptures reveal how the invisible, the intimate, and the symbolic can become powerful tools of resilience. The title of the exhibition, translated to A Dagger in a Handkerchief, suggests that the dagger is not a symbol of danger, but of protection; not of fear, but of courage. This duality lies in the juxtaposition between soft, warm fabric and hard, cold metal, showing the interconnectedness between humans, materials, and the natural world: a planetary tapestry threaded with ancestral memory and imagined futures still waiting to unfold.
—Javiera Luisina Cádiz Bedini
PAST shows
¿HABITAR EL CUERPO?
Angyvir Padilla //Daniel Santolo // Hodei Herreros
Manuela Benaim
In one of our first conversations, Juliana Sorondo remarked that the works gathered in this exhibition—despite their formal and material diversity—seemed to conjure a shared idea: the body as a habitable space, formally delimited, a repository of individual memory, and ultimately something that can be loved, hated, or transformed by us, its legitimate inhabitants. Indeed, many of the reflections offered by the four artists in this show about their own practice align, to greater or lesser degrees, with this perspective. However, convinced that my role here should be neither neutral nor passive, I will take the liberty of questioning both the idea and the preliminary title of this exhibition—To Inhabit the Body—of adding a mark of doubt to its phrasing and turning the certainty of its statement into a question. I will thus abandon the usual caution of a wall text in favor of a far more meddlesome stance. To inhabit the body? To what extent is the notion of dwelling an adequate approach today, a misleading figure, or an inevitable experience of corporeality?
A fragment of the text by Belén Zahera.
Ausencia de tijera
Miranda makaroff
Miranda stands among those who have the freedom —and commitment— to create, among those who reject docility and attempt to navigate the interruptions of productivity and the mediocrity of everyday attitudes in life. Through a radical way of inhabiting the world, she has dedicated herself to creating a space of rebellion, happiness, and joy, under the premise of taking fun very seriously.
Her practice spans various formats and is oriented toward experimentation and the creation of a personal universe made up of paintings, drawings, tapestries, objects, interior design, and a public persona whose way of dressing, posing, and acting brings her close to the condition of a living sculpture, with great knowledge of the narrative power of fashion and the grammar of bodily gestures.
A fragment of the text by Maite Muñoz.
ALEGORÍA
FLÁvia junquiera
The imagination has the power to open doors to alternate states of perception, where the familiar transforms into the extraordinary. This interplay of memory, sensation, and space shapes Alegoría, an exhibition by Flávia Junqueira presented by Sorondo Projects in collaboration with Reiners Contemporary. Through her meticulously staged photographs, Junqueira reimagines historic and theatrical venues, infusing them with vibrancy and inviting viewers to reconsider the narratives these spaces carry.
In Alegoría, Junqueira invites us to reconsider the spaces we inhabit and the histories we inherit. By inserting delicate yet striking elements into these storied venues, she shifts their narratives, opening pathways for new interpretations. As Oswald de Andrade wrote, "Only anthropophagy unites us." Junqueira’s interventions embody this ethos, consuming and reinterpreting established spaces to craft something distinctly her own. Her work bridges the ephemeral and the enduring, inspiring us to reimagine the familiar and take flight into new areas of perception and understanding.
Show in collaborarion with Reiners Contemporary.
arquitecturas intangibles
francisco muñoz // victor gonzález // josé maria de aurora
This exhibition combines and contrasts the work of three artists who approach color as both light and matter, as both divine and earthly, and who explore the inseparable bond of color, light, and space as a triad. To accomplish this, they turn to an essentialist reduction of geometry, connect the abstract with spiritual universals untethered from creeds, and take on the role of creators as catalysts capable of transcending the mundane. Without succumbing to the stereotypical image of the artist as a magical figure, each of these three—through the lens of their unique temperament—maintain a spiritual connection that is both intellectual and poetic, as Kandinsky would describe it.(…)
A fragment of the text by Maite Muñoz.
unseen bodies
maría elena pombo // nikolay mORgUnov // suwon lee
As a cultural phenomenon, the proliferation of the selfie confronts us with questions about the self and its representations. Never before has humanity had the ability to generate and share so many images of itself. Thus, it is possible that the self-portrait has ceased to be an artistic gesture, becoming banal as a narcissistic act, devoid of mystery or purpose. In response to this challenge, the exhibition Unseen Bodies brings together the work of three artists who explore the self-representation beyond the conventional formats of the self-portrait (…)
A fragment of the text by Diana Cuéllar Ledezma.
tejiendo identidades
Armando Mesias // Cassandra Mayela Allen// Luis Renteria // Silvana Trevale
Tejiendo Identidades (Weaving Identities) is a group exhibition that gathers the work of Latin American artists who use their connection with textiles and clothing to explore and express their identities. Through conceptually elaborated and symbolic artworks, they root their oeuvre in their cultural values and traditions, while at the same time paying homage to the new realities they live in the countries where they emigrated.
The exhibition features a selection of artworks from textiles to photography, video, and installation that delve into the symbolic connection between textiles, objects, and clothing. Each piece shows the artists' heritage, reflecting a deep appreciation and respect for their past. The textiles carry stories and symbols passed down through generations, serving as receptacles of history and tradition.
At the heart of this exhibition is the concept of identity—how it is formed, expressed, and transformed. The participating artists, all of whom have emigrated from their home countries, weave their personal narratives into their art. Their works are an amalgamation of their roots and their present experiences, creating a dialogue between their cultural heritage and their lives in new, diverse environments.
florecemos en un abismo
Antonela Aiassa // María Elena Pombo // Miranda Makaroff // Rose Madone
"Florecemos en un abismo" (We Flourish in an Abyss) is Rafael Cadenas' collection of poems that pay homage to the resilience of Latin Americans and their ability to find beauty amidst adversity. Through his poetry, Cadenas explores the depths of the human experience, particularly within the context of Venezuelan life, where humor and blossom thrive even in the most challenging circumstances. The book explores the complexities of Latin American identity, drawing on the rich tradition of Magic Realism and the philosophical underpinnings of hope and resilience in the face of precariousness. In this group exhibition, also titled Florecemos en un Abismo, we have gathered artworks that exemplify the idea of flourishing against the odds, finding beauty in adaptability, strength, endurance, and contemporary struggles (…)
from surface to space
Daniel Santolo // José María de Aurora // Nikolay Morgunov
The exhibition encapsulates the path from traditional painting techniques to the exploration of painting's transformative nature as it extends beyond conventional surfaces into both physical and conceptual expanses. The show aims to convey an open message and an invitation to contemplation and wonder, allowing viewers to explore the diverse interpretations of matter and space proposed by the three artists. (…)
impronta, buenos aires
antonela aiassa
Impronta is more than a collection of artworks; it is an invitation to reflect on the imprints we leave—on materials, on nature, on each other. Aiassa’s practice is deeply personal, yet it taps into universal themes of creation, connection, and transformation. Her work suggests that every interaction, every touch, leaves a mark, whether visible or invisible, that contributes to the ongoing dialogue between the human and the natural world(…)
Upcoming Shows
LO QUE LA LUZ SUSURRA Y LA MATERIA RECUERDA
Duo Exhibition by Marisa Purcell and Graziela Guardino
Opening September 18th.
QUIMBARA QUIMBARA
Duo Exhibition by Theresa Webber and Silvana Trevale
November 2025
